|Secrets of Digital Photography
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They're all NEW-ish?
Truer than reality. All 59 folders full of the iNovaFX Photoshop Action Filters (would those be "iPAFs"?) are totally NEW-ish. New in the sense that ALL of them have been reviewed, tweaked, finessed, improved and ushered into a new level of usefulness. And totally new in the sense that nine folders are brand spanking new.
For example: ALL of the ones that cover multiple operations now leave what Photoshop calls a "Snapshot" in the History Palette. If you never used the History Palette in the past, you will now, because these Snapshots collect the final results of trying several iNovaFX Filters on any given image. Now you can try lots of things on an image before deciding which one to save.
Only a very few of the simplest, one or two-step iNovaFX Photoshop Action Filters don't do this, since they are so simple to re-perform if you need them.
There are New iNovaFX Filters here, too. The iGeometry utilities, iGradFilter, iBCFisheye2Flatten, iBWPrintTints and iCrosstar groups were new in Version 5.0 and the iDynamicRangers were reworked from the ground up to give superior results from a bracket of locked-down exposures.
Version 6.0 brings the iBC5.4K, iCC54k, iCFTinter, iCrop, iDots, iFishHelp, iLiners, iRustica and iVignette series. with six new pages of examples and instruction in Chapter 9, iNovaFX Filters.
Here, as lifted from the icon-view window of OSX, is the complete contents of the iNovaFX_Filters folder. Each of these icons opens a world of improvement, enhancement or entertainment for your images. Click on an icon and jump to a description of what it contains.
i5KSet.atn --8 Filters/Utilities.
This group of iNovaFX Photoshop Action Filters is geared to the special needs of the CP5000 (CP5K). The contents cover several ideas.
iAerialShotCor.atn --2 Filters.
Two utilities for turning shots made out of an airplane window into good looking color. It's always amazing to see how blue and hazy images look in the camera when your eyes saw the scene more realistically. These tunable iNovaFX Filters let you bring back the colors you saw.
iB&WFilmFX.atn --7 Filters.
I like black and white photography. Dogs and cats see in black and white because they have no cone cells in their retinas. Birds and humans, outfitted with these color receptors, see the world in living color, but it took artists to find the potential of black and white imagery in drawings and painting long before photography came along.
The first photos were ONLY B&W and the film of the day was rather red-blind, making people look sunburned.
Now it is a special effect. But we have a history of knowing what B&W shots look like, and it isn't simply draining the color out of an image. B&W film sees the world of color in a unique way.
These iNovaFX Photoshop Action Filters convert your color image into the look various idealized black and white films would have seen them. Five basic variations are available and a specialty filter that lets you produce the effect that a color filter over the lens would have created is also there.
iBWPrintTints.atn --14 Filters.
Fine black and white printing is available with modern ink-jet printers. In the world of fine black and white printing, subtle tonality shifts have often been used to give the image character. Sepia prints are an obvious example, but cold, subtle blues and warm subtle colorations can give a monochrome image distinction.
iBC4.5k.atn --3 Filters.
Zoom lenses--ALL of them--have barrel distortion and/or pincushion distortion. Especially at the extremes of their range. These actions fix the CP4500 at full wide zoom, wide plus the WC-E63 converter, and at tele zoom using the TC-E2 converter.
Now images have straight lines, making architectural shots look better. They can even be used to stitch together panoramics.
Barrel distortion correction comes to the Coolpix 5400 as well. These fix every scrap of barrel effect from the wide zoom position of the lens.
And a second version fixes the combination of camera plus WC-E80.
iBC5.7k.atn --4 Filters.
Included are special versions that take care of the slight barrel and pincushion distortion of the WC-E80 and TC-E15ED converter lenses.
iBC5K.atn --3 Filters.
Image barrel and pincushion correction for the CP5000. Special, more complex formulations iron out the distortion of the WC-E68 lens, making this combination the architectural Most Valuable Player in all of digital photography.
iBC950-775.atn --8 Filters.
Image barrel and pincushion correction for the CP950 and CP775. These cover all the converter lenses from the two wide converters to the two tele converters and the Fisheye converter when set to full tele.
Many people missed the idea that the diminutive CP775 could adapt the full range of optical converter lenses. A clip-on adapter lets this simpler camera use them all. From wide converters to tele, to Fisheye, the 775 sees more than one might expect.
iBC990-995.atn --9 Filters.
Image barrel and pincushion correction for the CP5700.
iBC990+iCrAb.atn --3 Filters.
See the iCrAb series, below.
iBCFisheye2Flatten.atn --3 Filters --NEW--
What if you shot an image at the Fisheye2 setting in your 950, 990, 995 or 4500 and decided you wished you could convert that hugely barrel distorted image into something with straighter lines? Or even, perfectly straight lines?
The result would be Mega-Ultra-Super Wide angle, all right, but can it be done at all?
iCC775.atn --2 Filters.
Did you shoot with the wrong white balance selected?
Incandescent setting when you went outdoors into the sunlight, perhaps?
Or maybe just the opposite?
iCC4500.atn --5 Filters.
Did you shoot with the wrong white balance selected? Incandescent setting when you went outdoors into the sunlight, perhaps? Or maybe just the opposite?
Here is color fixing for a variety of situations. Four versions of Daylight white balance shot in Incandescent lighting give you great control over this type of error, which is perhaps the most frequent white balance mistake you can make.
iCC5400.atn --5 Filters. --NEW--
It's simply too darn easy to leave the white balance on the wrong setting.
Three versions of Daylight white balance shot in Incandescent lighting give you great control over this type of error, which is perhaps the most frequent white balance mistake you can make. In addition, a Carnet Action shows you all three so you can keep the one you like best.
Plus a filter that moves you to normal looking white balance when you shoot indoors with Daylight selected.
iCC5700.atn --3 Filters.
Did you shoot with the wrong white balance selected? Incandescent setting when you went outdoors into the sunlight, perhaps?
Or maybe just the opposite?
iCFWarmeCooler.atn --2 Filters.
Want to tweak an image a tad warmer or cooler? These symmetrical filters do just that--a blush bluer or a blush redder up or down the color temperature scale.
Their symmetrical nature means you can click in one direction, then reverse yourself by clicking the other. If you click five warmer and two cooler, it's the same as if you had clicked three warmer. For best results, start at the beginning with three warmer, then save.
iCFTinter.atn --2 Filters. --NEW--
Beyond simply warming and cooling an image is the realm of precise CC filtration. This Action sets up super-tweak filtration the way it is practiced in a chemical darkroom. Layers of filters give CMY control over the shot while exposure compensation keeps the values right where you want them.
Flatten and Save when you finish.
iColorDeNoise-DeJPEG.atn --10 Filters.
Color noise shows up as a random blotchy pattern in large areas of smooth color. Five of these are variations on color noise removal. Try them all and decide from reviewing the Snapshots which one suits you.
Three of these remove overall noise while working hard to preserve detail and edges. We have all seen so-called "Noise" filters that make flat areas of the image take on an airbrushed, unrealistic look, but these avoid that effect to a great degree.
The iDeJpeg Filter pulls off an interesting effect. It lowers the impact of noticeable JPEG artifacts without compromising image detail. This filter could let you shoot at the space-saving Basic compression while printing images you would swear were obtained at Normal compression.
iColorNegProcess.atn --4 Filters.
Strange phenomena show up in color negative conversions.
iComplexArtEffects.atn --23 Filters.
A veritable treasure box of artistic effects that you can apply to your images. These turn photography into all sorts of graphic artwork.
Fourteen of them create variations on oil, tempera, gesso and watercolor paintings. Several are utilities to prepare an image for greater effect. A few cause your picture to emulate Kodachrome, both I and II.
iContrast.atn --7 Filters.
Who would have thought that manipulating the local areas of an image's contrast would cause such dramatic results? These show how contrast enhancements of different types can do just that.
The Police Evidence Labs like this one because the results are repeatable:
"So, officer, you are telling the court that you MANIPULATED this image to get the result you wanted? That's deplorable! Manipulating evidence is a crime!"
"No sir. I merely ran the 'iNovaFX iContrast5-Xtreme Photoshop Action Filter' on the image and got the result you see here. It is exactly the same result if you or any member of the jury would have gotten if they did that procedure themselves."
iCrAb990-950.atn -7 Filters.
Chromatic aberration is a phenomenon of color fringing in the corners of images. Certain conditions provoke this in the 950, 990 and 995 cameras so these Filters were developed to better control the effect.
Eleven variations give you a lot to play with. They work on any images from any camera, actually, so they represent a first strike on this artifact. Two variations even are tuned to diminish "purple fringe" effects that sometimes show up in high contrast, back-lit details.
iCrop.atn -3 Filters. --NEW--
The pixels from 5MP cameras are just as finely detailed as those from 2MP, 3MP and 4MP cameras. Crop a slice out of the optical center of the 5MP frame and you gain tele and lens quality (no soft corners) improvements.
iCrosstar.atn --8 Filters + 2 Utilities.
Magic! One of the cool effects in photography is the cross star filter. The problem with them is that they are NOT controllable. Each version of these physical filters behaves differently and once they are in the shot, there is no such thing as removing or diminishing them.
The iCrosstar variations let you add them at your leisure, later, on your computer. Not only that, but they can be controlled AFTER they are generated. You can make them stronger or more subtle--or even give them new color for an effect no glass filter can touch.
A special utility is included that prepares images for better crosstar results, and a special "carnet" version runs every one of the eight Filters all at once, filling the History Palette with still-tunable Snapshots. This one takes some time. Typically 12 minutes or more. Press the button and take a break.
iCRV-XRedEye.atn --11 Filters.
CRV means Color Re Vector. These steer colors around in creative or useful ways.
Several pull more natural images out of Sodium Bulb lighting, that yellowish outdoor lighting you see on airport tarmacs and in parking lots.
Others rescue faded transparencies from decades-old fading that has shifted their color.
The XRedEye group diminish red eye effects without ruining natural eye color.
iDeNoiseHiISO.atn --11 Filters.
Shooting at higher ISO brings increased grain.
These scrupulously diminish grain build-up without compromising detail. Some grain remains--that's only natural--but with several variations at your fingertips, you have power over the gritty look of higher ISO images.
They all leave Snapshots, so you can try them out and compare the results.
iDimRoomArt.atn --7 Filters.
Here are effects no darkroom can emulate this easy. These are special artistic looks that are either unique to digital photography or hard to get right in a wet darkroom.
The iLumibloom and iBloomArt series have to be seen to be appreciated. One famous designer, the legendary Harry Marks, found that he could take a sharpness-compromised image and create an artistic, and sharp, result with one of them. Which one? Try them and find out.
Here also is the iFleshTona. This filter performs an effect that has seen recent popularity in advertising and illustration photography. It's a special reverse diffusion that brings a very nice look to images.
iDots.atn --7 Filters. --NEW--
Popular with Fox Television Network today is a poster effect they've been using with portraits of their stars. It's a dotted overlay that reminds your eye of printing dots without the totally disruptive effect real large scale printing dots inevitably bring.
iDynamicRangers.atn --4 Filters
Completely re-written from the ground up, these let you gather a bracket of images in the camera, stack them together in Photoshop and derive an image with as much as four whole stops (!!!!) of greater dynamic range.
Now we are talking dynamic range from simple JPEG images that exceeds the best film, Foveon, or $30,000 digital camera!!!!
It combines the three images in a way that integrates the exposure extremes from all three shots into a single image ready for your final adjustments. Colors and tonalities are MUCH improved over a single exposure.
iFilmBorders.atn --8 Filters. --Rewritten--
Is THAT a digital image down there? Or is it a blow up from a film transparency? Surely it must be the latter.
Ha, ha! No it isn't, and don't call me Shirley.
Entertaining beyond words, these are all revamped for Version 5.
Each one takes your image and surrounds it with a plausible film border. You know, the sprocket holes from a chip of 35mm film, or the characteristic border from a 4x5 sheet.
One even makes a roll-film border that has edge fog!
iFilmLook.atn --3 Filters.
These three Filters adjust the internal dynamics of images for a look that emulates the look of film images.
iFishHelp.atn --6 Filters. --NEW--
These Filters tweak those effects out of the picture.
iFlareDeColor.atn --8 Filters.
Flare is a peculiar type of chromatic aberration. It shows when contrast between areas is high. Very high. And it throws off a purple, cyan, blue or magenta flare.
These reduce the color of the flare so people's eyes don't lock in on the unexpected color.
iFlawFix.atn --8 Filters.
Long exposures pick up noise from blow or compromised pixels. Some cameras have an NR function that helps eliminate that, but the NR formula is only one level of control and sometimes leaves artifacts in its wake.
These 8 variations give the control back to you. But during your long exposure shoot, you must gather a Flaw Frame--a black frame of the same duration as your image--to use with these Filters. The illustration is a tiny crop viewed here at 1:1.
iFourPrint.atn --2 Utilities.
Each of these is more of a printing utility than a filter. You must open four images of any size, but all in comic-strip reading order, and all of the same orientation, vertical or horizontal. These will all be scaled and placed on a single page suitable for printing a letter-size page of impeccable resolution.
It does NOT matter what aspect ratio these images are, as long as they are 3:4 or narrower. Images that are 3:2 qualify as narrower.
The four images will appear on a single US Letter or European/Canadian A4 Letter page print out, and if your printer has been sufficiently alerted, you can finish the operation with an automatic print out. Or save the resulting image for later printing.
iFrameAvg.atn --4 Filters.
Shoot a picture, and if you look very close, you can see a bit of grain in it. But with these Filters, you can shoot a string of 3 to 6 lock-down images and bring them all together into a single, grain-free image. Each image is blended into its brothers in a way that causes the individual exposures to cancel out each other's grain structure.
iFXx.atn --11 Filters and Utilities.
Ever hear of the NASA image processing technique called Retinex? Not many have, but it is an interesting enhancement technology. It makes digital images look better in print, and there are four iNovaFX Filters here that emulate some of the Retinex look.
Also, here are a super Sepia on Old Paper set of filters that emulate the look of hundred year old prints.
The iMProve series are a blend of techniques that are geared to making your digital image look better in a way that would defy a viewer's analysis. They just look--well, Improved! Several variations await your mouse clicks.
iGeometry.atn --5 Utilities.
These fast utility actions change the geometry of a shot without other corrections. Three force any size image to 2560 x 1920 in various ways, with and without aspect ratio changes.
Two force any size image to 2048 x 1536 or 2048 x 1364 (3:2) with or without trimming.
iGFGlareFlare.atn --7 Filters.
Hard spectral highlights can be cruel in a digital image. Sometimes they make little dots of white surrounded by outlines of black, the way TV images often do. These don't look realistic. What they need is a bit of Glare Flare--a small scale diffusion that spreads out and covers that black outline.
These seven variations give you the effect of seven degrees of tight diffusion that tracks ONLY the highest highlights. Some let you color the diffusion overlay, something that even the most expensive diffusion filter can't do.
iGradFilter.atn --6 Filters and a Carnet Utility.
Cinematographers know that the sky is brighter than what's on the ground. They often place a soft-edged neutral or warm or cool "Grad" filter in front of the camera lens for shooting certain scenes. The filter looks like a dark part gradually transitioning into a clear area. The dark part is most often in the top of the image where it brings the intensity of the sky into greater balance with the ground.
Note: These are referred to in the eBook as the iSkyGradFilter.atn collection.
iHandyChanges.atn --4 Utilities.
These Actions do four handy things:
iLiners.atn --5 Filters, 8 variations and 1 Utility. --NEW--
Move out of the way, Hayes Island Effect.
Here are 8 variations in five groups of photo-to-art conversion that will stun your eyes. Simply the best of their breed.
There's even a Carnet Action to manufacture all 8 versions at once so you can pick and choose.
iMulti-16VGA.atn --2 Filters and 2 Utilities.
The Utilities are more like instruction sets. You load 16 images in their comic-strip like sequence into Photoshop. Any size. But all must be either horizontal or vertical.
iPolarizeSky.atn --10 Filters.
Polarizing filters work on the physics of light, but in photography, they are almost always used to darken skies for a more dramatic look. No need for the physics here, the color of the sky becomes the trigger for these Filters.
With ten variations, your bases are covered for virtually all images that need more dramatic blue sky effects.
In the image at right, the original sky is in the middle. A physical polarizer is on one side and the iPolarSky Filter is on the other side. Can you tell which is which?
The iPolarizeSky3 is on the left and holds detail around the delicate tree details while NOT interfering with the subtle colors on the blue-trimmed house. You want it to be as dark and as blue as the physical polarizer? No problem. Make those adjustments to your taste.
iPS-series Filters. --94 Filters in 8 Categories.
These are in 8 groups that draw from Photoshop's Plug-In Filters. They represent a huge range of special effects you can apply to images, ranging from line drawings to warping, from artistic effects to things you never imagined.
Some merely represent sane choices for setting up a Photoshop Plug-In. Others orchestrate dozens of steps to achieve a new variation, a new effect or a new look.
iRustica.atn --4 Filters. --NEW--
Rustic aging effect inspired by Linda Butler's ITALY In the Shadow of Time book of ocher-tinted photographs.
iShadowLifts.atn --8 Filters.
It's easy to find images with the sky looking fine but the shadow areas looking very dim, indeed. When you have a shot containing good looking highlight areas but murky shadow detail, try these. Each lifts shadow detail in a slightly different way while leaving the highlights alone.
iSharp.atn --8 Filters.
Digital image sharpness is a variable thing.
iSOFix.atn --9 Filters.
I want more ISO sensitivity, sometimes, and these Filters allow me to shoot at EV-1 or EV -2 or more, and still get a picture. By shooting with an EV reduction dialed into the camera, I can get faster shutter speeds. Sometimes you MUST use a faster shutter speed, y'know?
But then the images are underexposed. Well, at least they are underexposed by a predictable amount. These iNovaFX Filters lift the values of your image to make them look like they were shot at ISO 1600 or 3200, for instance.
iStampBorders.atn --3 Filters.
It would be nice to have an image turn into a stamp.
These three Filters do just that, converting your image into a small, medium or large size stamp with perforated edges.
iVignette.atn --4 Filters --NEW--
Got vignette where you don't want it? Perhaps you don't have vignette where it would look good.
Both ideas are available through this series. You might be surprised at people's reactions when you add some corner darkening. It has a charm all its own.
Here is a folder with the previous iNovaFX Photoshop Action Filters in it, just as they were originally written.
If you are already familiar with them, you won't have to hunt around for the old CD in order to load them into your Actions Palette in Photoshop.
Get the eBooks. DSLR Nikon D70, Coolpix
and Sony Advanced Cyber-shot titles available.